Ceramics: Art & Perception 119 2022

CONTENTS

Magdalene Odundo: The Past is Another Country by Sebastian Blackie
Zoe Preece: In Reverence by Frances Woodley
All About the Material: An Exhibition of Wood-fired Ceramics by Geoff Thomas by Peter Wilson
Picasso a Ceramicist? Absolutely by Léopold L. Foulem
Beyond Short Street by Owen Rye – Book Review by Jack Troy
Clay Gulgong National K-12 Student Ceramics Competition by Karen King and Felicity Wood
Worldstoke 2022: An Idea Whose Time has Come by Bobby Scroggins
Worldstoke 2022 by Ray Gonzales
Down the Rabbit Hole, Chased by a Poodle by Craig Hinshaw
Masterful Works 2022 by The Masters of Clay Gulgong 2022
Passages from India by Robert Silberman
Elisa D’Arrigo: Materializing at Elizabeth Harris Gallery, New York City by Janet Koplos
No Man is an Island: a review of an exhibition and a life by Sebastian Blackie
Nicholas Weddell by Elaine Olafson Henry
Kodai: A Foot Fetish by Derek Larsen

Kelly Austin: In Search of Place by Rebecca Coates
Elizabeth Jaeger at Jack Hanley Gallery, New York City by Janet Koplos
Twelve Zodiacal Animal Deities and Fragmented Thoughts on Nine Cows by Bang, Chang Hyun
AWARD with British Ceramics Biennial 2021 by Rhiannon Ewing-James
Katy Schimert at Derek Eller Gallery, New York City by Janet Koplos
Janina Myronova: International Maker by Paul Bailey
Chase Travaille by Elaine Olafson Henry
Lee Jeongmee: Nature Incarnated by Jisu Hong
TECHNICAL

The Origins of Clay by Chris Garcia
Colour at Cone 10 by Alexandra Copeland
Sustainable Pottery: the Locally Made Kiln Shelves of Nigeria by Temitope Ologunwa
Nixing Pottery by Chu Xingbiao, Zhang Jiamei, Jiang Yuhao and Liu Qingtao
Q&A: Jelly Roll Delamination by Jeff Zamek
Cover image: Geoff Thomas, Bottle 1, 12 x 22.5 cm.
Image courtesy of Peter Wilson.