Third Text 181 March 2023 Volume 37 Issue 2
181 VOL 37 ISSUE 2 March 2023
Manuela Ciotti Make no Mystique!: Collectables’ (Dis)appearances in a Transoceanic Perspective
Marco Musillo Impossible Stillness: Objects and their Edible Copies in the Global Museum
Roberto Conduro Between the Social Limbo and the Art Canon: Afro-Brazilian Religious Artefacts in Rio de Janeiro
Atul Bhalla The Lowest Depths: Partition through Objects of Fictitious Togetherness
Ananya Jahanara Kabir Crypt, Cornucopia and the Surface of Pattern: Vlisco’s Designs
Natasha Eaton Zinc Vignettes: Luminescence and Zinc in the Art of India, Britain and China c 1750 – c 1930
Prakruti Ramesh The Buried Appraisals of Popular Art: Latent Archives, Actualised Repertoires and the Commodification of Locality in Goa, India
Manuela Ciotti ‘Why do you fall in love? Why do you worship Vishnu and Shiva?’: Decolonising Collecting through the Visual-Material Cosmos of a Nation’s ‘Interior Designers’
Archana Hande Phantom in the Landscape: The Golden Feral Trail
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181 VOL 37 ISSUE 2 March 2023
Manuela Ciotti Make no Mystique!: Collectables’ (Dis)appearances in a Transoceanic Perspective
Marco Musillo Impossible Stillness: Objects and their Edible Copies in the Global Museum
Roberto Conduro Between the Social Limbo and the Art Canon: Afro-Brazilian Religious Artefacts in Rio de Janeiro
Atul Bhalla The Lowest Depths: Partition through Objects of Fictitious Togetherness
Ananya Jahanara Kabir Crypt, Cornucopia and the Surface of Pattern: Vlisco’s Designs
Natasha Eaton Zinc Vignettes: Luminescence and Zinc in the Art of India, Britain and China c 1750 – c 1930
Prakruti Ramesh The Buried Appraisals of Popular Art: Latent Archives, Actualised Repertoires and the Commodification of Locality in Goa, India
Manuela Ciotti ‘Why do you fall in love? Why do you worship Vishnu and Shiva?’: Decolonising Collecting through the Visual-Material Cosmos of a Nation’s ‘Interior Designers’
Archana Hande Phantom in the Landscape: The Golden Feral Trail