<p>Shoestring Press regrets specialise in publishing poetry sequences and collections, usually by:</p>
<ul>
<li>Established but unfashionable poets.</li>
<li>Poets they are introducing to British readers for the first time, though they may be well known elsewhere.</li>
</ul>
<p><strong>Publisher:</strong> Mr John Lucas</p>
<p>—</p>
<p><strong>Critical Praise</strong></p>
<p>“The wonderful Shoestring Press”</p>
<p><strong>David Morley – reviewing William Scammell’s <em>Night Watch</em></strong></p>
<p><a title="Nightwatch Review" href="http://blogs.warwick.ac.uk/morleyd/entry/william_scammells_nightwatch/" target="_blank">Read the full review</a></p>
<p>“Now that the best poetry comes from small presses, the Shoestring, with its quality poetry and paper, is one to keep an eye on”</p>
<p><strong>Herbert Lomas – Ambit – reviewing poet Martin Stannard</strong></p>
<p><a title="Ambit Review" href="http://www.poetrymagazines.org.uk/magazine/record.asp?id=8383" target="_blank">Read the full review</a></p>
<p>“The excellent Shoestring Press”</p>
<p><strong>David Constantine – Times Literary Supplement – reviewing Yannis Varveris’s Mr Fogg</strong></p>
<p><a title="TLS Review" href="http://www.timesonline.co.uk/tol/incomingFeeds/article766244.ece" target="_blank">Read the full review</a></p>
<p>“The enterprising and highly active Shoestring Press”</p>
<p><strong>Peter Barry – Oxford Journals: English, Summer 2002</strong></p>
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