Aperture 240 Autumn Fall 2020
Details
FRONT
Spotlight
Marjon Carlos on Dannielle Bowman and the shadows of history
Day Jobs
Jesse Dorris on Duane Michals’s formative trip to Russia
Viewfinder
Ekow Eshun on photographs that imagine the fantasies of whiteness
Curriculum
by John Edmonds
BACK
Object Lessons
Nicole Acheampong on Dorothy Trujillo’s Tourist with a Camera, 1978
WORDS
People of the Earth
Images, ancestors, and archives
Wendy Red Star in Conversation
with Emily Moazami
To Walk in Both Worlds
The portraiture of Richard Throssel and Horace Poolaw
by Rebecca Bengal
Family Days: Three Reflections
---The Picture
by Natalie Diaz
---Quarantine Album
by Tommy Pico
---The Sky and the Spruce
by David Treuer
Kimowan Metchewais: A Kind of Prayer
Language, landscape, and the search for visual sovereignty
by Christopher Green
The Lure of Foraging
Jacqueline Cleveland’s chronicle of Native survivance in western Alaska
by Eve Díaz
The Indigenous Gaze
How has Inuit culture shaped cinema?
by Julian Brave NoiseCat
History Is Present
Alan Michelson evokes a continent’s unfinished stories
A Conversation with Chrissie Iles
All of My Relations
In Rebecca Belmore’s performances, the lives of First Nations women
A Conversation with Wanda Nanibush
PICTURES
Duane Linklater
Introduction by Eungie Joo
Martine Gutierrez
Introduction by Nadiah Rivera Fellah
Marianne Nicolson
Introduction by Miranda Belarde-Lewis
Krista Belle Stewart
Introduction by Philip J. Deloria
Karen Miranda Rivadeneira
Introduction by Yxta Maya Murray
Guadalupe Maravilla
Introduction by Carribean Fragoza
Wendy Red Star
Introduction by Julia Bryan-Wilson